omnibus cover |
Nora Roberts
Grade: D
Genre: contemporary romance
Source: own
Romance RBC 2015: A book by Nora Roberts
Gwenivere Lacrosse had left home
with an innocent naivety to make a life and career for herself in New York. Two
years later and she’s returning to New Orleans for a well-deserved break and to
sort out the small problem of her mother’s infuriating lodger … Luke Powers is
a celebrated writer who is said to be just as adept with women as he is with
words. Gwen has grown up with a houseful of strangers but never one like Luke
who has insinuated himself so readily into her mother’s life. When Gwen starts
her campaign to get him out of her mother’s house and life, she doesn’t expect
her plan to backfire quite so spectacularly …
This joins the ranks of the very
few Nora Roberts titles that I’ve read and disliked. Given the sheer volume
that she’s written and published, it’s remarkable that there haven’t been more.
I’m usually easily pleased by Nora, but Her
Mother’s Keeper contains a number of fairly annoying features that just put
me on edge. For one, Gwen was a bit of a pushover. Sure, she’s blindingly
innocent when compared to Luke, but she’s also recently experienced a bad
breakup with a guy who wanted to mould her into his perfect society wife. While
her time with Luke prompted her to open up about previously hidden areas of her
life and thus mature as a person, at 23 years old, she still feels very much
like a kid. Even though that statement feels like an insult to myself, since
Gwen isn’t much older than I am, that’s very much the impression that comes
across as I read the book.
I’m not really sure what else
there is to say about this one. It’s definitely not a Nora that I’ll be reading
again which makes me a little sad. I would have liked to know more about Luke
and what he writes about; pretty much all we know is that he’s a best-selling
writer. I was fond of some of the secondary characters, but just couldn’t
connect to either Gwen or Luke. Being a 1983 title, there are all the hallmarks
of Nora’s writing but it just wasn’t quite there yet. Nora at her peak (IMO,
late ‘80s-mid-‘00s) is a formidable force to be reckoned with: powerful
heroines, punchy dialogue, swoonworthy heroes and well fleshed-out plots – get your
hands on any of those.
Image courtesy of Book Depository.
Image courtesy of Book Depository.
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